XTUGA MI7 7-Piece Wired Dynamic Drum Mic Kit

FEATURES S/N Ratio: 70dB 

Connector: Standard XLR 

Power Supply: Phantom 24-48V 

Polar Pattern: Uni-Directional 

Max Input SPL: NA/NA/130dB(@1kHz<1%T.H.D.) 

Output Impedance: 400Ω± 30%/500Ω± 30%/200Ω± 30% 

Sensitivity: -58dB(+/-)3dB/-53dB(+/-)3dB/-45dB(+/-)3dB

Frequency response shaped specifically for kick drums and bass instruments Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum Studio quality performance, even at extremely high sound pressure levels Supercardioid pattem for high gain before feedback and superior rejection of unwanted noise Hardened steel mesh grille that resists wear and abuse Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Neodymium magnet for high signal-to-noise ratio output Low sensitivity to varying load impedance.

XTUGA MI7 7-Piece Whole Metal Wired Dynamic Drum Mic Kit

• One big drum microphone; 
• four small drum microphones; 
• two condenser microphones; 
• two condenser microphone holders; 
• four thread inserts (3/8-inch and 5/8-inch threads); 
• four 3/8-inch threads; 
• four clamps for snare/tom microphones; 
• two windscreens for condenser microphones;

Big Drum Mic Element

• Big Drum Mic Element:Moving Coil Dynamic,
• Polar Pattern: Uni-Directional,
• Frequency Response: 50 Hz-15 kHz,
• Sensitivity: -60 dB +/- 3 dB (0 dB = 1 V/Pa at 1 kHz),
• Output Impedance: 500Ω +/-30% (at 1 kHz)

Small Drum Mic Element and Condenser Mic Element

• Small Drum Mic Element: Moving Coil Dynamic
• Polar Pattern: Uni-Directional
• Frequency Response: 50 Hz-14 kHz
• Sensitivity: -52 dB +/- 3 dB (0 dB=1 V/Pa at 1 kHz)
• Output Impedance: 500Ω +/-30% (at 1 kHz)
• Condenser Mic Element: Electret Condenser
• Polar Pattern: Uni-Directional
• Frequency Response: 50 Hz-18 kHz
• Sensitivity: -45 dB +/- 3 dB (0 dB=1 V/Pa at 1 kHz)
• Output Impedance: 200Ω, Max Input SPL: 130 dB (at 1 kHz < 1% T.H.D.), S/N Ratio: 70 dB Power Supply: Phantom 48 V

GENERAL RULES FOR MICROPHONE USE

1. Aim the microphone toward the desired sound source and away from unwanted sources. This may not be obvious or intuitive, Since Supercardioid microphones such as the microphone have narrow pickup patterns and can pick up sounds from the rear. Refer to Figure 1 on the following page 

2. Place the microphone as close as practical to the desired sound source (refer to the table in the opposite column) 

3. Work close to the microphone for extra bass response 

4. Use only one microphone to pick up a single sound source 

5. Use the fewest number of microphones as practical 

6. Keep multiple microphones separated by a distance equal to at least 3X the distance to the nearest sound source 

7. Place mics as far as possible from reflective surfaces 8. Use a windscreen when using the microphone outdoors.